Throughout this investigation Naylor-Wardle
also tries to establish an opinion into what feminism means. Dismissing the
image of ‘The Default Man’(Perry,TheDesentOfMan,p14,2016
) that women sometimes adopt to be
taken seriously in patriarchal society , and replacing. As such the process, she
uses to create her images, fabrics and embroidery can be interpreted as
tradionally female, however it is about taking owner over them and re appropriating
them it fit into a different context of celebrating the female from. With this
employing some the practical theorises of practitioners such as Shannon Downey is a Chicago based artist, feminist and fabric artist.
Historically sewing was considered women's work, preparing girls
for a domestic life. But this is why Downey states is why she loves it so much.
Not because of the domesticity of it but the history of community it has
surrounding it. 'I feel fortunate to be able to use this medium to talk about
politics and social justice freely. I feel like I owe it to the women who come
before me who couldn't.' Downey (date viewed
1/3/2017) http://moorewomenartists.org/badass-cross-stitch-activism-stitching-shannon-downey/.
Naylor-Wardle
also uses print and pattern to break down the images with the intention of
making them slightly obscure and driving the viewer to decipher what is
depicted. The reasoning behind doing this is so the patters could potentially
be used in a more commercial context, as McIntosh states ‘postcards,
picture books, greeting cards… magazines’ (McIntosh, White Privilege:
Unpacking the invisible knapsack,(1988 hence spreading the wider
message. Print and repetition is an effective way of mass producing imagery,
whist also being ascetically pleasing on the eye and is a very versatile.
Although Naylor – Wardle’s investigation is highly experimental, the shapes are
sometimes too abstract to read what they are. The larger whole image pieces
seem to translate more strongly as there is a less confining space, and there
is a more information. (see figures 2 and 3) There could have been more thought
to colour as well. Using again a traditional female colour, pink, mixed with
others again makes for a successful aesthetic but it needs more context behind
it. Considering more colour theorist and studying the connotations behind
different colours could have added another level to the concept. At the end of
her project, Naylor –Wardle states the opinion that feminism is a theory that
is all inclusive. That just because society labels certain activities and actions,
as feminine, it is by no means the definitive view and just because you may
partake in these and you are still a feminist. It is about having the freedom
to do what you want without the attachment of gender stigmas.
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