In the revisit of First Things First, Rick Poynor in his
review of the manifesto (1964-2000) stated that designers should be doing more
to communicate social and political issues rather than advertising for money. ‘Distinction
drawn by the manifesto was between design as communication (giving people
necessary information) and design as persuasion (trying to get them to buy
things.)’Poynor,4,2000. The manifesto was ignored by designers for that reason;
they wanted money and didn’t give a thought to the more ethical reasons ‘Most
preferred to keep their heads down.’ Poynor,4,2000. The designers would rather
produce work for the more exciting corporate brands e.g. Nike compared to CND (campaign
for nuclear disarmament.) ‘The vast
majority of design projects and certainly the most lavishly funded and widely
disseminated- address corporate needs…’ Poynor,4,2000.
Artists and designers coming out of art school were and
still are working for more corporate projects because of the money. ‘For many
art and design schools, they are obsessed with how cool an advert looks, rather
than with what it is really saying…’ Poynor,4,2000. The main message made in
the original manifesto and the one in 2000 is that nothing has changed during
these 35 years. Katherine McCoy when she states that’ Designers who have grown
up in a commercial climate often find this hard to believe. That feels
political or social concerns are either extraneous to our work or
inappropriate.’ McCoy,5,2000 Even though
this article does centre on advertisement, illustrators’ still have these same
problems. As illustrators we have the skill of communicating key ideas in a way
anyone can understand why don’t we use them to question and challenge political
and social issues more? However if commercial work gets you established as a
popular designer then you chose to show work demonstrating your opinion of
issues, then would the work have more of an impact?
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